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Tolkien's Landscapes 1: 'The Tree of Amalion' ~ pictures by Tolkien, poem by jan-u-wine.
~*~
~ Detail from 'The Tree of Amalion', August 1928, by J. R. R. Tolkien
A year and a half ago I conceived of doing a series of postings of paintings and drawings, mostly from J. R. R. Tolkien: Artist and Illustrator (Hammond and Scull), concentrating on his love of trees, hoping that jan-u-wine might write pieces prompted by them. Happily, she wrote several, but I never got around to writing the posts to present them.
Originally the series was to be called "Tolkien's Trees", but, in the meantime, the Tolkien Society designated its theme for this year's Reading Day as "Tolkien's Landscapes". That's better still, since the paintings chosen depict more than trees. But to start, we shall look at the Tree of trees.
Tolkien's drawing "The Tree of Amalion" is recognizable as a tree, but more an expression of human imagination than realistic rendering. Looking closely one can see that its fruit and flowers are different to each other, impossible in nature, yet it looks like a living tree. Tolkien often doodled trees, imaginative, lush and various, with curling leaves and branches, "more suitable," he said, "for embroidery than printing".
Some scholars let "The Tree of Amalion" go uninterpreted because Tolkien never said anything specific to it in his writings. But it is easy for me to see in this picture Tolkien's notion of the Tree of Tales, mentioned in his essay On Fairy-Stories. There is one great tree of human imagining, its roots in the far past, and our legends, myths and stories are the branches and leaves and fruit, ever growing. Tolkien applied it to his own writing, comparing his work to the Tree (writing to his publisher Unwin), bearing various shapes of leaves and many flowers, small and large, which signified the poems and legends in his overall ongoing creation.
John R. Holmes wrote about The Tree of Amalion in his entry on Tolkien's art and illustrations for J.R.R.Tolkien Encyclopedia: Scholarship and Critical Assessment. His final paragraph sums up well for me:The Tree of Amalion does, in Morris's language, point to something beyond itself, but not in the natural world. Perhaps the image abided with Tolkien so tenaciously because, like Niggle's tree in his short story, it expressed his entire artistic life. As in "Leaf by Niggle," Tolkien the notorious allegorophobe had no qualms about attributing large allegories to The Tree of Amalion. The tree as a whole is an expression of an abstraction, the very idea of variety. Tolkien's readers have had no difficulty associating Niggle's tree with Tolkien's entire literary output; the variety in the blossoms on The Tree of Amalion similarly points to the literary works of Middle-earth. "The tree," Tolkien told Unwin, "bears besides various shapes of leaves and many flowers small and large signifying poems and major legends." Amalion, then, might be a fit emblem for all of Tolkien's work, literary and visual, and of the interrelation between the two.
Jan-u-wine's poem for the picture picks up the notion of the Tree of Tales and twines it deftly with the related notion of the Great Tale, the greater, overarching and ongoing story of which our own stories, and the stories of Tolkien's characters, are merely part.~*~The Tree of Amalion
In the garden of the World
it was sown,
in the Other-When,
in the
Other-Where.
All that is,
all that
may be,
all that magically
was,
grows here,
upon its slender frame,
a storied proof and promise
of love.
And how the years go by,
the Ages
swifting,
the pages turning,
the players,
great and small,
entering and
exiting
the Grand Stage.
Yet not a leaf
falls from the Tree,
not for a rest'd
moment
does the music of it
halt,
but blossoms,
rather,
with the singular songs
of those whose lives
it has entwined,
those whose hearts
have ever dwelt
within the tender
cradle
of its joyous
arms.
~*~
~ Another 'Tree of Amalion' picture, undated, from Pictures by J. R. R. Tolkien.
Previous entry:~ "Upon the Tol" by jan-u-wine with art by Tolkien, for March 25.
Other Links:~ All entries featuring jan-u-wine's poems.
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was,
grows here
How I love this! I can imagine this gentle poem being read to children before bed so they can dream sweet, magical dreams.
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The "Tree of Amalion" pictures are lovely. I wonder if Tolkien used real flowers as an inspiration. I do recognize a Fuchsia flower. We have the book and it would be great fun to try and identify as many as possible.
I've always felt that "Tree by Niggle" was Tolkien's way of accepting life's limitations. A very simplistic notion but that's what resonates with me.
Thank you both for a lovely post.
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I wonder if Tolkien used real flowers as an inspiration.
I am sure Tolkien would have been working (if only in his mind) from real flowers. He knew and loved flowers and plants and often drew and painted from nature. He had an eye that drawing and painting only sharpened when he came to write descriptive passages in his books.
"Leaf by Niggle" is one of my favourite things Tolkien wrote, one full of 'applicability' for me, which touches upon what you are saying. :)
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Tree by Niggle......it feels almost like a diary entry to me....a very long diary entry, to be sure. Things that JRR could not, perhaps, say as himself, things too......niggling to put down in his own journal, but things that nipped at his heels nonetheless.
It also has a triumphant feel to it. And a comfort, like a warm fire on a rainy day, and a journey ending in Home.
How lovely the Prof. is.
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Namarie, God bless, Antsne :)
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so glad you enjoyed the post! I think Mechtild outdid herself. I loved her intro and the secondary Tree image was new to me!
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This raises in my mind the big questions about art. What is art and what does it do? It's primarily self-expression ... and all humans have a story to tell. But it can be so much more than that, too. One of the many things I love about Tolkien's writing is his vision of something much larger than himself. Probably all true and great artistic endeavours - including genres and styles vastly different from Tolkien's own speciality - point us in that direction anyway. Take Beethoven's majestic symphonies: the music seems to be larger than its creator, somehow, stirring something very deep within our hearts and souls in response. Bach's music is pure, undiluted worship, as well as forming the most marvellous musical architecture. I find Renaissance art (and not just the religious variety) so incredibly beautiful and sublime that looking at it is, itself, a religious experience.
(That's not to say I think art always has to be beautiful and sublime. Not at all. Art can, and often should be, dark, disturbing provocative and shocking.)
Returning to Tolkien's own concept of the Story Tree, of course he was influenced by other, older, incredibly rich sources and put his own uniquely wonderful spin on them, creating his own imaginary world and characters in the process. Surely all writers do.
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Returning to Tolkien's own concept of the Story Tree, of course he was influenced by other, older, incredibly rich sources and put his own uniquely wonderful spin on them, creating his own imaginary world and characters in the process. Surely all writers do.
Yes, surely they do, and Tolkien would be the first to say so.
(P.S. Love your icon - you showed me where to get one for my own use -- I love using it, it's so beautiful.)
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I love Jan's term "swifting." It gets not just the sense of passing years, but how they speed up as they progress--wonderful! And I love the "Other-When" and "Other-Where."
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i love that secondary tree, too. It is quite Armenian looking. It reminds me a great deal of illos from the Rubyiat that my dear aunty gave me.
i don't know if i invented those words, but I like them, too. It's nice to have .....playthings (words) that are virtually free, and can be reshaped, reused, reloved in endless rotation. I'm a lucky person!
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Lovely, as usual!
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Tolkien had a hand that was as skilled as an elf's!
I should think even better, since he invented the Elves, and their skills. *wink*
Re: Lovely, as usual!
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