Tolkien's Landscapes 3: 'Moonlight on a Wood' ~ picture by Tolkien, poem by jan-u-wine.

[mechtild]

~*~

Tolkien created 'Moonlight on a Wood' in a spurt of artistic and literary creativity that burst forth in the late 1920's. As was seen in the previous post, Tolkien long had been drawing from life. He also had been making imaginative, non-realistic pictures, particularly in 1913-15, which illustrated his expanding secondary world. But he made few pictures in the years that followed, and, after 1922, none at all.

In 1927-28, however, his imagination exploded. His art work exploded along with his ideas for developing his secondary world. His style in illustration became more painterly, more confident, and, though he still favoured bright colours, more subtle. Perhaps the family holidays at Lyme-Regis in 1927-28 afforded him the opportunities he needed to express himself in art.

'Moonlight on a Wood' is a nearly unique piece in that Tolkien rendered the picture's trees in a Cubist manner. I don't know what Tolkien intended to convey though this experimentation in style, but I find the picture's angular starkness strongly evocative, beautiful but mysterious, chilly, eerie, even hallucinatory, as if I were a mortal entering the Perilous Realm.

Jan-u-wine's poem responds to the picture's stark mystery in its own way, using words rather than brush strokes. She said of the uniqueness of the picture, "It really is a mesmerizing piece, isn't it? So weird and yet so.....wonderful. I really would like to have known what was in his mind. This is surely...jazz from a man who was always a classicist....."




~*~

Moonlight on a Wood


The smell of them is
thick

with winter
and blood-resin,


needles
of cold, sharp
scent

and lemon light,
mingled,


the jagged
prism

of their joining
lying

fragments
of

slipped silver
and

moss'd green
upon the forest's

iced floor.

Unreachable,
this resolute

moon,

dark-countenanced
beneath

a template of
dream.....

the light-ice
of his fingers

moving,

a distanc'd
benediction,

upon the crown-points
of snow-sleeping
pine.

~*~

Previous entry:

~ "Foxglove Year" by jan-u-wine for watercolour of the same name by Tolkien.

Other Links:

~ All entries featuring jan-u-wine's poems.

Comments

[shirebound]

Anything is possible, especially with a being who has lived for so long, and takes such joy in everything. :)

[jan-u-wine.livejournal.com]

i don't know....when i look at this, i hear "Rhapsody in Blue" playing in my head. Which is a beautiful piece, don't get me wrong. But it (to me) celebrates the age of industry.

But you have raised a fascinating point: what, indeed, would TB paint (or draw) if he were so inclined?

Personally, i think i could see him making botanical drawings or perhaps anatomical drawings (a la Leonardo). But i am not sure about this.

I think....for me....i don't know enough about who Tom really is. For me, it would be interesting to explore who he is in poem form....

if Frodo would be so good as to guide me....

[lavendertook.livejournal.com]

Your musical analogies are perfect.

TB's choice of yellow boots and blue feather and his boisterousness make me think his tastes and style would be Van Gogh-ish. (-:

[jan-u-wine.livejournal.com]

oh my goodness....i think you very well may have hit the Bombadill on the boots.

Or....perhaps he'd be Peter Max......

i still want to explore SB's thoughts on this, though....

now to squirrel away the time to do that.....

sigh