
~ detail from Elijah Wood in "The Tailor", by Giovanni Moroni.
I've been in a creative funk. I've read loads of stories read for the MEFA awards, but have been dragging my feet writing the "votes" (reviews count as the votes in the MEFA contest, a competition in which *length* matters). My own fic? More foot-dragging, while I think it over and procrastinate doing research, etc.
But then came a moment of inspiration, this time in the form of Elijah Wood. Well, Elijah Wood's face, to be precise.
You all know how enraptured I am by Elijah Wood's face as Frodo -- so beautiful, so classical -- the inspiration for myriad "Frodo Art Travesties". But Elijah Wood's face as Elijah Wood has never produced that response in me. Perhaps it's his hair, which always looks so contemporary. I'm an art history fan, a costume history fan. Not a fan of holey jeans and t-shirts, kitty hair, faux-hawk, or shaved-head fan.
But then came the London Comic Con of July 1, 2006....
*portentious music*
Because I knew people who were attending it, I followed leads to photos from this event. And, lo, I saw the photos of
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I was smitten. The pictures! Elijah's look in the pictures!
"An Elizabethan gentleman!!!" I gasped, lost in admiration for the way his newly-grown out inch of hair made a thick, short, shining dark mat that showed off the shape of his fine skull; his beard was a chin-and-jaw-delineating marvel.
I had just been cruising a website filled with Tudor and Elizabethan portraiture, and I knew I had seen a perfect painting for him. I Googled, I searched, and there it was: a painting of an unknown man, apparently a tailor, by an Italian artist from the end of the 16th century.
"Perfect," I thought. A new manip was about to be born.
But first I approached
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She consented. Woo hoo!
So.
*timpani roll*
I wish to present my first (and last? -- who knows how long he'll continue to wear his hair and beard this way) Elijah Wood Art Travesty.
I will include it in my "Frodo Art Travesty" album, since it is the only one.
1. The original portrait.
Portrait of an unknown man, known as, The Tailor, by Giovanni Moroni, c. 1570.

It's a shame the tailor's hands are so un-Elijah-like. Handling scissors and pins and draping fabric must have been more wearing on the hands than I would have imagined. The tailor's face is young and comely, but his hands are noticeably aged and roughened, and very much reddened, compared to his face. Still, I love the painting.
2. The face.
Cropped version of
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HERE is Melyanna's excellent LJ entry about the Comic Con (where she got to meet EW!) featuring this photo.
3. The manip.
Little was necessary beyond tweaking the lighting, colour, and focus in both the source painting and face, so that they matched. I had to draw in some wisps of hair, very tiny, to blend the hair into the background, make shadows on his face, and draw in a bit of extra collar. I also adjusted areas of colour in the original, just here and there. But not that much needed to be done. The head really was a good match for this particular painting.
~ Elijah Wood as a young Elizabethan man, in Giovanni Moroni's portrait of an unknown man, aka "The Tailor", c. 1570.

4. A bit of text.
I never am content only to present a manip; I like to have words to go with it.
Looking at the final image, knowing that it was from the age of Queen Elizabeth I, I kept thinking of Shakespeare. Perhaps the young man could have been a tailor making costumes for productions at the Globe Theatre....
No, the painting is a bit too early for that, 1570, which is only six years after Shakespeare was born. His first play wouldn't be produced until 1590 (Henry VI, Pt. I).
But I am willing to fudge a little. I thought further, what if Shakespeare noticed this young man? So beautiful, so quiet, yet with such speaking eyes as he toiled over the heavy velvets and ran prematurely roughened hands over fine linen.
As many of you know, Shakespeare was purported to have fallen in love not only with women but with men. (He did not only pant for Gwyneth Paltrow.) His first sonnets, #'s 1 -126, are often thought to be directed towards a young man whom he loved when he was in his middle years; maybe not consummated, maybe secretly, and from afar. But anyone reading this can understand the power loveliness has to attract, especially when one is *getting on*. Therefore, I thought the sonnet went wonderfully well with this "Elijah Art Travesty".
Sonnet 20
A woman's face with nature's own hand painted,
Hast thou, the master mistress of my passion;
A woman's gentle heart, but not acquainted
With shifting change, as is false women's fashion:
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue all hues in his controlling,
Which steals men's eyes and women's souls amazeth.
And for a woman wert thou first created;
Till Nature, as she wrought thee, fell a-doting,
And by addition me of thee defeated,
By adding one thing to my purpose nothing.
But since she prick'd thee out for women's pleasure,
Mine be thy love and thy love's use their treasure.
Here is a paraphrase provided by the very excellent site, Shakespeare's
Sonnets:
'You were created by Nature as a woman but more beautiful than any woman, for you do not have their faults. But Nature changed her mind as she made you, and turned you into a man, for she herself adored you, and, perhaps desiring congress, gave you male parts. Therefore I cannot love you with the fulness that I would love a woman. But let me have your real love, while women enjoy the physical manifestation of it, which I know to be merely a superficies'.
Other LJ entries presenting "Frodo Art Travesties" may be found here.
~ Mechtild
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*admires*
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I just told Mews, I read the sonnet in a biography of Walt Whitman this spring (an American poet of the 19th century). I could not remember the number or even a quote, but eventually found it under "love sonnets - to a youth". Yeah!
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Elijah's face is perfect for it. the look of his eyes, the lashes, the .. everything...
And your quotes are priceless.
I love this post ... the details until your manip is ready, it's so interesting
*hugs and cuddles*
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Isn't that manip a marvel?
Hugs you, hon!
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I love the final version of your manip. That's great! And Elijah's face fits perfectly in it, maybe it's his expression, so regal and elegant.
I'm glad that my pic inspired you another wonderful manip! So well done.
Thanks again!
Hugs you
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That sonnet does make me think of lovely Elijah!
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Thank you for commenting!
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I really love the cultural background that you provide to deepen your graphical work.
… Elijah Wood has never produced that response in me. … Not a fan of holey jeans and t-shirts, kitty hair, faux-hawk, or shaved-head fan.
I think Elijah’s face has a classical beauty and posses a peculiar characteristic: often it is so transparent that the feelings inside are clearly revealed.
As Frodo, during his acting, that is always evident and very stunning.
In his real life pics, most of the times, he stands in a pose (he is a professional), but in some pics, here and there, this transparency is so clear that is touching.
The pic from
Thank you, love! May I have more?
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The pictures by
Thank you for your comments, Estelanui. :)
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(Just imagine Mikey Rourke as Frodo and you know what I mean! Okay, Elijahfans know it anyway)
**Hugs** to all Elijahfans, and especially to Melyanna, for her beautiful photo and her wonderful reports! :-)
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Yes, his face is very reflective in this. I think that is why I have done so many Art Travesties of Frodo in portrait paintings. The artists really knew what they were doing. Even if my addition of Frodo's face alters the original painting, the original paintings always have such strong moods, just from their style, colours and composition of the scene, they seem to add that sense of reflectiveness to the finished piece, a sense which wouldn't be there if it were just Frodo's face from the screencap set into something else entirely.
(Mikey Rourke as Frodo -- Noooooooooooo! -- perhaps in Bakshi's version of "Hobbiton: Sin City" )
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I love that Shakespearean sonnet too, it really seems to fit :)
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With Elijah in it, and in that pose, it is completely changed. Yet it retains an almost contemplative quality. With him in it, it also looks as though he is pausing in his work, but not because a hypothetical visitor has stepped into his work area, but because the painter has observed him unawares in a reflective moment.
It's very beautiful, the result, I think. I could look at it and look at it, even if it weren't EW in it.
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Wonderful manip.
It really, really works. :)
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Thank you so much for sharing this jewel with us! It's a pleasure to watch it!
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...it's easy to imagine, that all the tummy and strong arms are just made of many lairs of fabric and the man inside is our beloved Lili.
Ah, but his Cirith Ungol tummy would fit in there just fine. :D We can imagine his 25-year-old self for the face and head, and his 19-year-old self for what's under all the clothes. But you are right, the clothes would be bunchy since the tailor is not standing up straight, slightly inclined towards his work. If this were a portrait of an aristocrat (the identity of the tailor is unfortunately no longer known), you may be certain he would be shown standing ramrod-straight, very heroic and slim.
I think one of the charms of this painting is that it looks so candid, as if the artist caught the tailor unawares, just glancing up from his work as the painter entered.
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The sonnet was perfect for him, yes. How smitten Shakespeare would have been with this youth. Although I have always imagined EW playing Puck in A Midsummer Night's Dream, rather than one of the Elizabethans that played the girls.
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I must confess that first I didn't like Elijah with a beard (usually I'm not fond of beards), but after seeing some pics I thought he looked like a young Roman, or like a man from the Renaissance; he could have been a friend of the French king Henry III, who loved his friends pretty...:) In fact he reminded me of that drawing by Clouet:
But Elijah is more beautiful!
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Thank you so, so much, Mechtild!!!
*hugs*
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But still - awesome.
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I don’t swoon for the Woodster – but in this case I’ll definitely make an exception. He looks the part entirely. Such beauty – I can never imagine that anyone will surpass Mr. W in the classical beauty department. *swoon*
Thank you Mechtild.
I noticed that he sports no cod-piece. Do you think it would get in the way of nipping and tucking? :-D – I know – I’m bad!
The sonnet you chose to accompany your beautiful manip is very appropriate. *loves*
I have the following edition in my bookcase:
The Sonnets – William Shakespeare – Illustrated by *Charles Robinson 1870-1937
In this edition sonnet No. 20 is numbered sonnet No. 1. Do you know if the sequence of the sonnets have been updated?
The edition I have is from 1995.
Excerpt from the preface by Gail Harvey, New York 1991
…., it has been proven impossible for literary sleuths to separate situations that are real from those that are fictitious or to identify the handsome young man addressed in the early sonnets, the dark lady of the later ones, or Mr. W.H., to whom the sonnets are dedicated.
* I’ve googled for Charlie’s illustrations but there are very few, mostly illustrations for children’s books. His brother Heath is more famous because of his so-called ‘Heath-Robinson’ contraptions. This – as you probably already know – is still used today to describe any kind of machinery or contraption that looks weird and wonderful.
Linkie:
http://www.liverpoolmuseums.org.uk/walker/exhibitions/heathrobinson/
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He reminds me of Gandalf. :-D
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