Crop of new manip:

This week while looking for tasteful photographs of lovers (to use as models for my erotic illustrations, should I ever make them), I found a head-and-shoulders painting-like photograph of two lovers, a man and a woman. It made me squee with manip-making excitement.
So, in honour of March 25, the day the Ring went into the fire, I present to you my latest Frodo Art Travesty manip....
The face of the woman in the painting is fabulous. As I told Estë, she reminds me of Meryl Streep as painted by a Pre-Raphaelite. The man has a very nice chest and shoulders -- smooth-skinned and not too muscle-bound -- and his head is turned in a lovely manner. His face is not to my tastes, but his face would not be staying.
This manip is made from an image called Huomo Fendi, by Sheila Metzner. It's date was given as 1988. If you would care to see the original photograph (or painting, I'm really not sure which, but Ms. Metzner is a photographer, otherwise), it is HERE.
I have found an online gallery that shows photographs from an exhibition taken from her book, Form and Fashion. It features this "painting". If you look through the images, you will see she uses a very classical, painterly style throughout. Here is a link to the John Stevenson Gallery exhibition, which features prints from Sheila Metzner's Form and Fashion.
* * *
The problem was (as is often the case with paintings I want to use for a Frodo manip), the man's face in the image is in profile. Film-Frodo has a gorgeous profile, to be sure, but very few images of him in internet galleries are in profile. Because of Frodo's wonderful eyes and expressive face, most shots saved of him are 3/4 and full-face views. I had used up all the profiles I liked in previous Art Travesties. What was I to do?
Well, I decided, I would have to search the films for some new screencaps.
It turned out that the filmmakers didn't shoot him in profile much, either. Since last night I have been fast-forwarding through FotR, TTT and RotK. Everytime Frodo turned from one side to another I would pause and pounce, snatching the frame or two that was in focus while he made the transition. Still, these were not caps I would call "gems." There were some longer profile scenes with Sam, especially in The Two Towers, but Frodo's face was usually filthy or contorted in argument. Not good material for popping into paintings of beautiful lovers.
I found that there were excellent extended profile sequences, however, complete with a clean (if wan) face and tender looks in the scene in the cart with Bilbo, and in the farewell to the companions at the Grey Havens. (Yes, I screencapped them both to make into future screencap entries, sobbing the whole time.)
* * *
I am terribly pleased with the new manip.
When I gaze at it, perhaps because Frodo is naked and the woman is dressed, I imagine him as a faun, with his long hair trailing down his neck. I have imagined the woman as a mortal who has seen him in a glade, perhaps, and fallen under his spell as Thingol did under Melian's, or Beren under Luthien's. In this instance, of course, the genders are reversed.
The woman in the painting appears utterly and tenderly besotted, besotted to the depths of her soul. He seems to return her regard.
Call me a sap, but while I find this manip sensual and erotic, primarily I find it deeply romantic. It appeals to my swoony old heart. After all, I am as enamoured of him as is this woman. She is just a lot better-looking.
Frodo and the Enamoured Woman....

Since posting this picture, an e-friend who is a Tolkien fan and fine poet has written a poem based on this image. I like it so well I would like to post it here, but will make a separate entry for it, to better set it off.
To read jan-u-wine's, The Fields of Forever, based on this manip, click HERE.
~ Jan-u-wine's Lord of the Rings-based poetry is featured at LotR Scrapbook.
~ Mechtild
View Frodo Art Travesties Table of LJ Entries page HERE.
View Frodo Art Travesties AlbumHERE.

This week while looking for tasteful photographs of lovers (to use as models for my erotic illustrations, should I ever make them), I found a head-and-shoulders painting-like photograph of two lovers, a man and a woman. It made me squee with manip-making excitement.
So, in honour of March 25, the day the Ring went into the fire, I present to you my latest Frodo Art Travesty manip....
The face of the woman in the painting is fabulous. As I told Estë, she reminds me of Meryl Streep as painted by a Pre-Raphaelite. The man has a very nice chest and shoulders -- smooth-skinned and not too muscle-bound -- and his head is turned in a lovely manner. His face is not to my tastes, but his face would not be staying.
This manip is made from an image called Huomo Fendi, by Sheila Metzner. It's date was given as 1988. If you would care to see the original photograph (or painting, I'm really not sure which, but Ms. Metzner is a photographer, otherwise), it is HERE.
I have found an online gallery that shows photographs from an exhibition taken from her book, Form and Fashion. It features this "painting". If you look through the images, you will see she uses a very classical, painterly style throughout. Here is a link to the John Stevenson Gallery exhibition, which features prints from Sheila Metzner's Form and Fashion.
* * *
The problem was (as is often the case with paintings I want to use for a Frodo manip), the man's face in the image is in profile. Film-Frodo has a gorgeous profile, to be sure, but very few images of him in internet galleries are in profile. Because of Frodo's wonderful eyes and expressive face, most shots saved of him are 3/4 and full-face views. I had used up all the profiles I liked in previous Art Travesties. What was I to do?
Well, I decided, I would have to search the films for some new screencaps.
It turned out that the filmmakers didn't shoot him in profile much, either. Since last night I have been fast-forwarding through FotR, TTT and RotK. Everytime Frodo turned from one side to another I would pause and pounce, snatching the frame or two that was in focus while he made the transition. Still, these were not caps I would call "gems." There were some longer profile scenes with Sam, especially in The Two Towers, but Frodo's face was usually filthy or contorted in argument. Not good material for popping into paintings of beautiful lovers.
I found that there were excellent extended profile sequences, however, complete with a clean (if wan) face and tender looks in the scene in the cart with Bilbo, and in the farewell to the companions at the Grey Havens. (Yes, I screencapped them both to make into future screencap entries, sobbing the whole time.)
* * *
I am terribly pleased with the new manip.
When I gaze at it, perhaps because Frodo is naked and the woman is dressed, I imagine him as a faun, with his long hair trailing down his neck. I have imagined the woman as a mortal who has seen him in a glade, perhaps, and fallen under his spell as Thingol did under Melian's, or Beren under Luthien's. In this instance, of course, the genders are reversed.
The woman in the painting appears utterly and tenderly besotted, besotted to the depths of her soul. He seems to return her regard.
Call me a sap, but while I find this manip sensual and erotic, primarily I find it deeply romantic. It appeals to my swoony old heart. After all, I am as enamoured of him as is this woman. She is just a lot better-looking.
Frodo and the Enamoured Woman....

Since posting this picture, an e-friend who is a Tolkien fan and fine poet has written a poem based on this image. I like it so well I would like to post it here, but will make a separate entry for it, to better set it off.
To read jan-u-wine's, The Fields of Forever, based on this manip, click HERE.
~ Jan-u-wine's Lord of the Rings-based poetry is featured at LotR Scrapbook.
~ Mechtild
View Frodo Art Travesties Table of LJ Entries page HERE.
View Frodo Art Travesties AlbumHERE.
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The hair! The Look! That is sensational. I bow to your skills, Mechtild. And how I want to be that woman.
*dies again*
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I have two profile shots in my userpic icons (one of which I'm using here), but regretfully I have no idea where they originated. I'm using them with permission from
*admires*
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I do believe your lovely profile shot is from a "Behind the Scenes" piece. I am pretty sure that I've seen shots almost just like that one in a gallery with things from the DVD extras and promos. It seems to me that there might have been the other hobbits in the shot, too, but they've been cropped away. The finishing on your icon is excellent.
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Tell me, Mews, do such images actively repell fans of slash-Frodo? I have found, so far, that it is nearly impossible (but for two or three, one of them terribly, terribly sappy) to find male-male paintings that don't portray the men as heavily muscled and herky, a look I don't picture for Frodo or for anyone he would possibly have been wrapped up with in an erotic relationship.
I think, if I remember properly, you have a series of erotic/romantic fics starring Frodo with Eomer, fics that are not meant to be bawdy spoofs, but serious. Have I mixed you up with someone else? If so, forgive me. But, if you do feature Frodo with Eomer, you will know there is little or no classical art that can be used to manip this pairing, herky-muscle guys or not. Even paintings that depict a Ganymede with Zeus, or a Hylas with Hercules show a youth the size of a human teenager with a grown man. Illustrations for humans with hobbit lovers would require real manipping! If you find a good source painting, or combination of paintings, let me know. I might try to work on it, if it looks doable.
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Wonderful!
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Re: Wonderful!
Whiteling!
Re: Wonderful!
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Re: Wonderful!
It's a good photograph, but I like it as a romantic, amorous version in the manip's juxtaposition of faces far better.
From:
If a picture paints a thousand words...
All that I can say is – Thank you Mechtild.
If a picture paints a thousand words,
then why I can't paint you?
The words will never show the you I've come to know.
if a face could launch a thousand ships,
then where am I to go?
There's no one home but you, You're all that's left me too.
And when my love for life is running dry,
you come and pour yourself on me.
If a Lass could be two places at one time,
I'd be with you.
Tomorrow and today, beside you all the way.
If the world should stop revolving spinning slowly down to
die,
I'd spend the end with you. And when the world was through,
Then one by one the stars would all go out,
and you and I would simply fly away
--David Gates
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You have excelled yourself, Mechtild!!!!!!
That is one of your best manips EVER. It knocks me out!!!!! *swoons*
In the original, the guy is a hunk but he's not looking at the woman - he's gazing off-centre. I thought: "typical self-obsessed beautiful man. Meh."
But Frodo ... ah, Frodo. What a different story. Such tenderness. Such gentleness. Such trust.
This time it's not the erotic elements that knock me out, but the deeply felt romantic feelings this manip portrays. This is love, not lust. Just beautiful.
This manip makes me feel happy. And I don't care who she is. If she loves Frodo so tenderly, and he loves her so tenderly, that's all I need to convince myself of his ultimate healing.
And with that sentiment I just hit Sappiness Overload. *grins broadly*
Not that I care. :) This is beautiful, Mechtild. BEAUTIFUL.
*happy happy happy*
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I just adore the way it came out, technically and in terms of mood. I do give full credit to the woman in the picture and the way the phtographer captured her. So many of the women's faces in the paintings I've used for the manips I've made have been less than convincing as the faces of lovers. The men's haven't been much better, but those were replaced with Frodo's, happily. Think of the worst one for poor facial expressions, the "Bacchus and Ariadne" by Guido Reni. I mean, it was a beautiful manip and was great for making up funny captions to, but which viewer could believe in the amorous feelings of either of them? That such an Ariadne swooned for Bacchus, or that such a Bacchus would have married her, a mortal, and made her a crown in heaven? None, I dare say.
But the woman's face in this picture is a picture of someone who loves and yearns and adores with all her soul. How could I not search and search for a Frodo face to deserve such love?
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It's all his fault, you know, for being so utterly beautiful -- inside and out.
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*sighs and bosom heaving*
You are a true genius.
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Did you read the poem jan-u-wine wrote inspired by it? It's too lovely. I made a separate LJ post for it (although I included it here, too, retoactively).
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Everyone who yearns to imagine Frodo in love seems able to appreciate this manip. Even slash fans seem to warm to it. Love is love, I guess.
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